Killers Anonymous  (2019)

Killers Anonymous 3.00/5 2 Votes

Motion Picture  |  2D  |  UHD Project  |  Color  |  2.39:1  |  95 Minutes

The movie Killers Anonymous,
released in 2019 and directed by Martin Owen, was shot on digital using Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K and Angenieux Optimo 24-290mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens with Håvard Helle as cinematographer and editing was done on the Avid Editing System by Stephen Hedley.

Killers Anonymous Technical Specifications

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Studio | Lionsgate

Directed by | Martin Owen

Cinematography by | Håvard Helle

Edited by | Stephen Hedley

Written by | Seth Johnson, Elizabeth Morris, Martin Owen

Acquisition
Digital Cinema
Cameras
Blackmagic Micro Cinema Camera (Scope camera)
Red Helium (Weapon) 8K
Lenses
Angenieux Optimo 24-290mm T2.8 Lens
Schneider Lenses (Schneider Kreuznach Xenon (S16))
Zeiss Jena Lens (Zeiss Jena (MF) 80/2.8, 120mm/2.8, 180/2.8)
Lens Filters
Schneider Hollywood Black Magic Filter
Schneider Platinum IRND Filter
Camera Aperture
Super 35 Camera Aperture
Camera Moves
Chapman Super PeeWee III Plus Dolly
J.L. Fisher (J.L. Fisher Jib Arm Model 23 Sectional Jib)
Steadicam Camera Systems
Production Monitoring
Sony PVM-A250 25″ Monitor
Lighting
ARRI HMI Lighting
ARRI SkyPanel S30-C
ARRI SkyPanel S60-C
ARRI Tungsten Lighting
Incandescent Lighting
Kino-Flo Fluorescent Lighting
LED Lighting
Tungsten Lighting
Grip & Lighting Companies
Panalux, United Kingdom
Near Location Services
Dailies
Editing
Media Management
Capture – Resolution
8192 x 4320 – (1.90:1) Capture Resolution
Distribution Resolution
2048×1080 Distribution Resolution
4096×2160 Distribution Resolution
Distribution Medium
Blu-ray
D-Cinema (DCP – Digital Cinema)
Digital Download
DVD
Web Streaming

Country | UK
Language | English
Genres | Action, Crime, Mystery, Thriller

Editing System
Avid Editing System
Finishing System
DaVinci Resolve Finishing System
Additional Post Processes
Digital Dailies
Color Management Architecture
RED Workflow
Color Encoding – DI/Video Mastering Color Space
P3 (DCI) Mastering Color Space
Capture – Codecs & Formats
Red Raw
Project Frame Rate
24 fps Project Frame Rate
Projection Format
Spherical Projection Format
Distributed Frame Rate
24 fps Distribution
Distributed Aspect Ratio
2.39:1
Shooting Regions
England
Los Angeles